“Michael” album review
Tuesday, December 14th, 2010
The new Michael Jackson album "Michael" is a nice effort - however would have been pleasant to see MJ show up on the album more though.
Updated 12/16/2010 after further review:
I’ve personally been wanting to see it since 2005. Year after year I was disappointed though as not one single ounce of new Michael Jackson material was released. I was fortunate however in 2007 when the 25th anniversary of Thriller was released. There were a few remixes and an unreleased track included - however not the NEW material I was wanting to see.
Here we are three years later in the year 2010 - finally with new material. However I’m saddened to say we are looking at this material without the artist himself - in life and in art.
It is common knowledge that Michael Jackson passed away in June of 2009. His estate secured material so that in the future albums could be released. “Michael” is the first of what should be many based off of those ‘lost’ recordings.
The album contains ten singles, nine of them “previously unreleased vocal tracks performed by Michael Jackson”. Wait, what? Ten singles and only NINE of them feature Michael Jackson’s vocals? That should be your first clue that something isn’t quite right with this release. As one reads through the copyright/credits in the album booklet it becomes obvious that something isn’t what it seems. Michael Jackson’s voice isn’t credited on all tracks (and only truly credited for lead vocals on (I Can’t Make It) Another Day and Behind the Mask). It is credited for background vocals on many of the tracks which leads one to wonder - “Who is the lead singer imitating Jackson?”
Aside from the game of vocal who-is-it (pun intended), the album is not a bad listen. For the commercial/casual listener that did not enjoy or hear “Invincible“, “Michael” should be a breath of fresh air. There are notable tracks that take you back to Michael Jackson. “(I Like) The Way You Love Me” is very touching with its intro of a voice recording of Michael dictating the tempo and drums. “Behind the Mask” is easily the standout track of the album with its soaring saxophone solos and infectious uptempo groove. Teddy Riley also adds his “dangerous” production touches to “Hollywood Tonight“, “Monster“, and “Breaking News” you will feel as though you are listening to a real Michael Jackson track - even if the instrumental is the closest you’ll get to it.
Track Highlights
- “Hold My Hand”
- “(I Can’t Make It) Another Day“
- Behind the Mask
- Hollywood Tonight
- (I LIke) The Way You Love Me.


